Fine Art Photography

I was recently asked to comment and then was drawn into a discussion on the art of photography and the influence of competition. Specifically, how people’s artistic creativity is swayed by making photographs for the purpose of competing against each other for the satisfaction of winning a blue ribbon.

I am very much against being a member of any large club or organization. Why? Because I feel there is too much of a tendency to become trapped in an endless loop of trying to fit into someone else’s idea of what art should be. Creating images for the sole purpose of winning some contest, for me at least, is a recipe for killing creativity, imagination and individuality, thus turning you into just another ho-hum shutter clicker.

Art is a very personal thing. You cannot please everyone, so why even try to please anyone? You need to please yourself first and foremost. Your art is an expression of what you see and feel. It has nothing to do with what anyone else likes or dislikes. So, why torture yourself by trying to entertain someone else’s idea of what your image should contain, or not contain? Especially if the only reward is a sixty cent ribbon!

It is very important to hone and understand the craft of photography. This is the easy part. You have to understand the craft of your chosen medium. This is true of any creative activity, from wood carving to painting. If you do not understand how to use your equipment and you are not able to learn the ins and outs on your own, by all means, take a class, join a club or group. But, once you attain a basic mastery of the craft, get as far away from external artistic influence as you possibly can. Yes, you also need to learn a few artistic basics. You need to study art theory and understand a few fundamental concepts concerning composition and the artistic view. But, you do not need an endless influence molding you into what someone else views as art. Edward Weston said something to the effect that, “composition is only the best way of seeing.” The creation of art has no hard and fast rules. What suits you is the only thing that matters.

Another reason that I steer away from large clubs and organizations is because they tend to be obsessed with equipment. Remember, amateurs talk about equipment. . . artists talk about art. Learn the craft as quickly as possible, then get on using, and improving that craft in order to create your art. Also remember, a poor craftsman always blames his tools. And speaking of tools, keep in mind that a poor craftsman makes poor images no matter how good the equipment. A well rounded craftsman can make admirable, even stunning images with the worst of equipment. You should own the finest hardware you can afford, but never forget, the camera does not make the photo, you do! Get the equipment and craft of photography out of the way as quickly as possible and get on with making your art! The only thing that matters is the finished image.

And speaking of the finished image, personally I could care less if anyone likes any one of my photographs. Any image I make is not created for anyone but me first and foremost. My photography is mine, and mine alone. If you don’t like it, then don’t bother. If you do like it, then why not do all of us a favor and buy it, and hang it on your wall?

JB

I keep harping on the idea that photography is about the photograph and not the equipment. Or, at least, that is the direction I prefer to take when it comes to the discussion of photography. Talking shop about the gear is the easy part. Talking about the photograph, and the makeup of an image is much more difficult.

The reason the hardware is much easier to discuss is because it is a real, tangible, thing. A piece of hardware you can pick up and hold it in your hand. It has a name and a specific function. You can learn to use a piece of equipment. Most everything about it is well defined and it works in a particular way.

What makes up art is something that is only a feeling. You either like what you see, or you don’t. Looking at some images triggers a feeling or memory that touches you deeply, but cannot be expressed with words. What is definitely appealing to one person is completely ignored by another. To express a great piece of art in words mostly detracts from its emotional content. You just can’t explain a great image.

I am much more interested in hearing how a person was attracted to something, which in turn led them to be motivated to make the photo, rather than the f-stop and shutter speed they used. There are those times when you just KNOW it is time to expose film. The question is, how do you know?

This is the hardest part of artistic photography. There are those that have attempted to explain what is pleasing to the eye by lowering themselves to a form of art speak. Stringing big words together does nothing but make a lot of squiggly lines on paper. Talking for the sake of talk and saying nothing, is what politicians base their careers on.

I am interested in understanding the thought process, but some things are just not well suited for words. Sometimes it is best to just look and enjoy. Below are a few interesting quotes from David Vestal.

• “When you must use words, use plain, clear ones that say exactly what you mean. That’s hard. Art jargon is easy but it only impresses fools. It turns intelligent people off and tells them that the jargon-user is a fool.”

• “Pompous wall labels that explain how your work transcends everything usually fool only curators and collectors.”

• “Such instructions don’t work. People will see your work as they are ready to see it and no better, no matter how wonderful you tell them it is.”

Photo Techniques Advanced B&W Printing Photos 303, The Pratt Institute Handouts by David Vestal