No one has the authority, nor the right, to tell you what, nor how, to create your art. Cropping is a personal decision, and can only be justified by you as an individual. If cropping helps any particular photograph, then it is no sin to proceed to crop away.
Cropping is best done in the camera at the time you make the negative, but it is not always possible. There will always be those instances that appropriate framing is just not possible in the field. Never pass up an opportunity just because the perfect image does not exactly fit the film. Keep cropping as an option. Do not dismiss anything that will help.
During the printing process look carefully at your first work print and determine if the image is strong from corner to corner. Use cropping L’s to mask questionable edges of the image and determine if lopping off some of the image will strengthen it. If you are enlarging you can reset the easel and the print size. If you are contact printing, a rotary trimmer is your best friend. The choice is totally yours. Do not be a slave to others opinions. There are no rules. The decision is so eloquently expressed by Bob Segar: “What to leave in, what to leave out. . .”
If cropping does not improve the photograph, maybe it is a good idea to find another image that will be more expressive. If you do hit a brick wall with a photograph, save your work and put it aside for later. There are few negatives of questionable substance that are worth killing yourself in order to print. You are usually better off to concentrate on those that are not a struggle to print.
It is easier on you and more productive, and less frustrating, to make negatives that are well seen and easy to print. A mastery of craft will make everything work more smoothly, but never let anyone tell you that you should not, can not, crop your photograph. Just don’t go there! Cropping can be your best friend.
JB