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JB & SUSAN HARLIN UPCOMING EVENTS

Here is our current calendar of upcoming events.  More information available by clicking on the event below.  We invite everyone interested in film photography to join us, though we specialize in LF and ULF, we love film.  Hope to see you at one of our gatherings!

 

 

DFW LF GROUP, WET PLATE CAMERAS WITH TY GUILLORY, Saturday, August 20, 2011

On Saturday, August 20 we will head east to meet Ty Guillory on his ranch in Mineola, Texas. Ty is one of only two craftsmen still handcrafting traditional wet plate cameras. Although there will not be time to see him mix the chemicals and prepare the plates, we will see how the camera is used to capture a couple of images and how the plates are then developed and varnished.

Once the demo is done, we will spend time in the workshop learning about the wet plate camera, we will enjoy burgers and hot dogs, and then have an opportunity to photograph on Ty’s 25 acre property. Ty would love some of us to photograph his family on Large Format as this has never been done before. Consider this our contribution to a fun-filled outing.

Ty’s cameras are historically correct, built from plans from the George Eastman House Museum of Photography. Many of us saw the story a few months ago about Ty and his studio on Texas Country Reporter and this should be a very interesting trip.

Mineola is about 2-1/4 hours east of Fort Worth, 1-1/2 hours from Dallas on US 80. We are limited to 12 photographers due to the size of the studio where Ty builds his cameras. Please RSVP by e-mailing Michael directly at: michael@kan.com.

As soon as we reach 12 participants, he will place additional names on a waiting list in case there are any cancellations. Again, RSVP only through e-mail! Directions (and caravan point of departure for those who want to ride in a group) will be e-mailed to you closer to August 20th.

Here are some great videos of photographer Luther Gerlach practicing the art of wet plate photography:

http://www.youtube.com/watch?v=0JuuCDXR6-I

https://www.youtube.com/watch?v=u-d89SSKedA&feature=player_embedded

This gathering will fill quickly, so be sure to e-mail Michael at the address above to reserve your slot.

For more continuing information and discussion, drop by the Large Format Photography Forum.

Looking forward to another great outing!

JB

DFW LF GROUP, MUSEUM OF THE AMERICAN RAILROAD GATHERING, Saturday, July 02, 2011

Though not exactly posted here in order, the D/FW LF Group, by popular request, has added more summer events. The Dallas Museum of the American Railroad, located in Fair Park, will open their doors a bit early this July 2nd morning to allow our big cameras in for some peaceful photography. Once the doors open at 10, we will still be able to take our time to take photos, but there might be foot traffic between you and your object!

The museum is located at Gate 3 in Fair Park. We can begin entering the premises at 9AM.

A couple of things to consider:

1. Everyone will need to sign a standard waiver stating that the photos will not be used for commercial purposes.

2. There is a $7 admission fee. Since they are opening the doors a bit early and have additional costs involved with this, We am asking you to make an additional contribution to the museum. This can be any amount you feel comfortable with; it is just a friendly gesture of thanks to the museum.

We are planning to have lunch at an old Dallas Deep Ellum restaurant after the shoot, so save your appetite for more good food. Adairs has been around for a long time and has a great rustic(?) ambience.

For more continuing information, drop by the Large Format Photography Forum.

See you on July 2. . . and. . . do not forget we are heading to Pilot Point July 30th.

JB

DFW LF GROUP, PILOT POINT GATHERING, Saturday, July 30, 2011

Here we go again! Our informal LF Photography Group is holding another outing, and even braving the heat of summer in Texas.

Visit historic downtown Pilot Point for some great photo opportunities; both architectural as well as close-up detail of antiques and antique fixtures.

Since it is the midst of summer, we will meet early in the morning – 7:30AM.  Color film photographers might want to be there even earlier! Sunrise will be at 6:39! Complete side lighting right down W. Main Street will be at 9:17AM. This might provide for some interesting shadows! There are some wonderful murals to photograph also. Google “Bare Nekkid Ladies in Pilot Point” to read up on the most controversial mural in town! The bank building, just off the square, was used in the movie “Bonnie & Clyde.” Many photographic opportunities are within 2 blocks on each side of the town square.

We will end with brunch at the local greasy-spoon on the town square between 10:30 and 11. This should help us beat the worst summer heat and humidity!

Estimated drive times from:

Ft. Worth: 1 hr, 10 min
Dallas: 1 hr, 15 min.
Carrollton – 55 min.

We invite everyone interested in LF & ULF photography to join us for some serious discussion and fun. Also, if you are a working photographer, please bring a few photos to share with everyone.

For more continuing information, drop by theLarge Format Photography Forum.

Hope to see you July 30th in Pilot Point!

JB & Susan

D/FW LF GROUP & TCC GATHERING. . . A GREAT TIME!

What a great time we had Saturday with the D/FW LF Group & Tarrant County College, Exposure Photo Club gathering at the TCC N/E Campus. We had about 25 enthusiastic participants, ranging from beginners to somewhat seasoned photographer-types in attendance, and everyone had a great time sharing stories, showing off their equipment, and photographs. The weather cooperated, it was dry, cloudy, and the temperature was pleasant.

We packed up our outing on the campus grounds after a lot of looking, touching, and photographic talk, then continued with more discussion over BBQ at North Main BBQ in Euless. The truth of the matter is, for those that are interested, you just can’t get enough photography!  And, there is a rumor that the D/FW LF Group is planning more outings for the rest of this year and into next year.

Stay tuned here for more announcements and to keep up with the local happenings. Our goal is to promote film photography, in any and all formats. . . though our main focus is LF and ULF, if you shoot film of any size, or if you are interested in film, please join us to learn more.  Everyone is welcome.  Our goal is to promote photography, in any and all forms, and to dispelled the myth that film is dead.

We would like to thank all of those involved in the planning of this event and an even bigger THANK YOU to those that attended. We are looking forward to seeing everyone again soon.

JB & Susan

D/FW LF GROUP, VIEW CAMERAS & BBQ

We continue with preparations for the upcoming DFW LF GROUP, TCC GATHERING, Saturday, May 21, 2011. We are hoping for a good group to show up to see, touch and experience the LF & ULF camera. this is a no excuses, dedicated to film and the view camera gathering and we hope to promote film and the art of photography.

We will be gathering at the Tarrant County College N/E Campus at 8:00am. For more information, see my previous post, “DFW LF GROUP, TCC GATHERING, Saturday, May 21, 2011.” We plan on adjourning our field trip about noon or so and continue our outing over lunch. Not only will we be talking large cameras and film, but we will be heading for a little BBQ. We invite everyone to join us for what should be a lively lunch and discussion. We will be going to a local landmark restaurant, North Main BBQ in Euless. Here is an excerpt from their web site;

. . . “Home of the World’s Best Ribs” is backed with 30 years of barbeque experience. North Main BBQ serves the “World’s Best Ribs”. . .

North Main BBQ is located about three (3) miles west of the Dallas-Fort Worth Airport off Hwy 183.

North Main BBQ serves an “All you can Eat” lunch and dinner buffet that includes its award winning ribs, chopped and sliced beef brisket, chicken breast, pork shoulder, sausage, ranch beans, potato salad, cole slaw, assorted relishes and bbq sauce. All meats are slow cooked with hickory smoke from four to twelve hours.

More information on North Main BBQ HERE.

This just couldn’t be any better. . . View Cameras and BBQ. Join us for a little fun!!!

JB

DFW LF GROUP, TCC GATHERING, Saturday, May 21, 2011

We will be helping host an informal gathering of LF & ULF photographers from the Dallas/Fort Worth area Saturday, May 21, 2011. The DFW LF Group will be meeting at 8am at the Tarrant County College (TCC) North East Campus, 828 Harwood Road, in Hurst.  We will gather at the Visitor Parking and will be photographing in the central campus park area just a short distance from the parking lot (see map). Those interested in traditional, large format photography are welcome to join us. Here is a link with driving directions;

http://www.tccd.edu/Campuses_and_Centers/Northeast_Campus/Directions_NE.html

There are quite a few photo opportunities including flowers, trees, shrubs, architectural, and there is a giant chess board to photograph. Michael Kan will bring a bar stool and some diffusers in case anyone wants to shoot any portraits. We will have an assortment of LF and ULF cameras available for some hands-on time. JB & Susan Harlin will have ULF cameras setup and there will be several other local LF photographers in attendance. Everyone will be available to answer questions. If you are interested, this will be your opportunity to meet and talk with those that work with large cameras and film. We will also bring a few photographs to boot.

We would like to thank Larry Hart, President of the TCC Exposure Photo Club, for arranging for us to meet on the campus. Larry will be joining us along with some of his fellow students.

Following our shoot, we will head over to North Main BBQ for lunch and fellowship.

Thanks to Bob McCarthy for finding us a great spot for some BBQ, and Michael Kan for planning and logistics.

For more continuing information, drop by the Large Format Photography Forum.

JB & Susan

VIEW CAMERA LUBE

It is important that your view camera work and work smoothly without glitches in the field.  Nothing is worse than having some issue when you are out working.  I spend a lot of time maintaining our cameras.  I feel it is better to do this before we go out, than to have problems that require work in the field.  Nothing is worse than wasting time on repairs when you are out.

A high-quality Microcrystalline Wax is one of your best friends when it comes to keeping your view camera clean and working smoothly.  See my previous post titled “Wax On. . . Wax Off” for more information about waxing the camera.

But, waxing the camera is only part of keeping it functioning smoothly.  You need lubrication for the metal parts.  Metal rails, guides, and locking knobs need lubrication to keep them working freely.  Nothing is worse than having a threaded part to seize up in the field.  The best lubrication for metal parts is a dry lubricant.  One that goes on wet but dries leaving a slick lubricant that does not get on your hands and possibly on your lenses or film.   A dry lubricant also does not attract dust and dirt.

One of the best lubricants I have found is a product made for lubricating bicycles.  Pedro’s Ice Wax 2.0 is a natural wax-based dry lube for use on bicycle chains.  It is also an excellent choice for the metal-to-metal parts of the view camera.   It works on brass, steel, and aluminum surfaces equally well.  The manufacturer says it is a Hydrophobic wax coating that repels water and provides protection from wear and contaminants.  It goes on wet and dries leaving a lubricating film that keeps parts moving freely.

Just a drop or two worked into the metal-on-metal surfaces is all you need.  And it lasts for a long time.  It is also good for all threaded locking knobs to keep them free and to prevent them from seizing up.  A little Microcrystalline Wax plus some Ice Wax, and you should be good to go. . . go to the field that is, without any glitches to slow you down.

JB

ONLY A LIGHT-TIGHT BOX

“He tried to impress upon me that, though a camera is nothing but a tool, it can be (therefore it must be) used for a higher purpose than the meaningless transference of already visible information onto a sheet of paper. Because camera could describe a worker’s vision of his world, like a cello or a paintbrush, or granite block, camera held the capacity for art.”

-Fred Picker- Discussing his experience with the Ansel Adams Workshops.
Zone VI Newsletter, Number 39, June, 1984, p. 5

A camera is just a tool. . . a thing. It is only a light-tight box that holds the lens and film. It is no different than a carpenter’s saw, a painter’s brush, a pianist’s piano, or a sculptor’s mallet and chisel. Any of these tools in the hands of the inexperienced will create little more than noise or a mess. Likewise, in the hands of a beginner, the camera is no more than a thing. In the hands of an experienced photographer is becomes a tool for creating art.

If you want to become a photographic artist the first goal is to become an accomplished master of the equipment. But, how do you get there from here? It starts with ambition and drive. Like any skill, you will only learn, and become a master, if you are dedicated. The mechanics of photography are not difficult to learn. It does take time and determination to get there, but it is not an unachievable task. You just have to have the desire and drive to work through the process of learning how best to use the tools.

Think of when you were a kid and you thought that taking piano lessons was a great thing to do, since some of your friends were already enrolled. Then after a while you get the usual threats from your parents to get in there and practice! You get the customary, we bought you that expensive piano and are paying for lessons, so get to work. Truth is, you really didn’t want to learn the piano in the first place. It was just something you thought would be neat. If you really wanted to learn, your parents would have to be lecturing you about spending too much time with the piano and limiting your keyboard time.

It is that drive. . . that obsession with learning that makes for the great artist. You have to eat, sleep and breathe photography to be really successful. Just a casual interest will lead to little more than a few casual photographs. Or, maybe you are just obsessed with the hardware. Maybe you would be better off collecting and trading equipment. There is always that possibility that the light-tight box is your obsession and not the photograph. Only you can make that determination.

That Light-Tight Box is just the camera. . . a tool to be used in the creation of your art. I hope that you learn to use your tools to your best advantage! Invest your time wisely. Learn the tools of your chosen craft well. Do not stumble around in the dark, it belongs inside the camera.

JB

WHAT PAPER DEVELOPER ARE YOU USING THESE DAYS?

So. . . everyone has their preferred brands, methods, techniques and such. I have mine for sure. As Fred Picker said, “if you have been around for twenty years or more and haven’t formed any opinions, what have you been doing?” I miss Fred!

There seems to be a lot of paper developer formulas floating around. My wife and I have tried our share of so-called ‘magic’ formulas. We have been down the Amidol road, and don’t get me wrong, Amidol is a great developer but it is far from magic. Amidol is about the best I have found for Azo. Yes we do print on Azo, in fact, we have a stock of it on hand. I would just like to go on the record as not being a person that subscribes to the idea there are magic bullet formulas. There is what works for you and that can be anything that suits your way of seeing. Anyone that has a one-size-fits-all attitude, usually has something to sell.

We have had our frustrations with Amidol developers. And I am not convinced that it is the best, certainly not the only, developer suitable for Azo or any other paper. In a side-by-side test my wife and I determined that Amidol was our developer of choice several years ago. There is a subtle edge there that is not something you can put into words, but there is a difference we decided worth exploring. But Amidol is expensive and can be frustrating to use at times. Yes, we have tried all of the popular formulas. I have just not been too impressed with the results I have obtained at times. What I was searching for was a cold-tone developer. Not only for Azo, but for the other printing papers we use. At times Amidol was still giving a green cast on Azo. Not bad but annoying and required lengthy toning in selenium to offset. I like a cold, neutral tone for most of what I print and the Amidol formulas just wasn’t consistent enough for me. I was not happy with how things were working. It was time to do some research.

I found a lot of interest on the Internet about a Pyro base paper developer formulated by Donald Miller. Mr. Miller named his developer Pyro Plus Paper Developer (PPPD) and after reading about this formulation I was inspired to give it a try. Believe me it takes some inspiration to get me to try something new, but I was frustrated with Amidol and I needed some good news for a change.

From all of the discussions about PPPD I found one thing was clear; there were numerous variations to the formula. The original published formula called for both Pyrogallol and Pyrocatechol. Now this is where things get a little confusing. I don’t recall where I found the particular variation that I tried, but there was a suggestion from somewhere to replace the Pyrogallol with Citric Acid. Not sure where I found that, but that was the formulation that I first tried.

From what I gathered, adding the Pyrogallol and changing the amount of Potassium Bromide makes a more warm-tone developer. I was not interested in warmer, I wanted a cold, neutral developer. To my surprise the variation I tried worked very well. It more than met my requirements, and so far, has yielded very neutral cold tone results on the Azo we have on hand. No more green tint, just what I wanted! It has also proven to be excellent with all other papers we use. And, for those that are economy minded, Pyrocatechol is much cheaper than Amidol.

PPPD keeps very well in an open tray once mixed, but should be dumped at the end of a printing session. I have never had it to die in the tray from oxidation. It does die from exhaustion, just like most any other developer. I would estimate that after about twenty 8×10 prints per liter, you should start looking to mix some fresh developer.

This particular formula also keeps well as a premixed two-part stock solution. Part ‘A’ is mixed 1:1 with part ‘B’ for use. I found that by mixing one liter of both part ‘A’ and part ‘B’ and storing it in full brown glass bottles it keeps at least six months. At least at this point in my experiments that is as long as I have stored the stock solutions. I keep three to four one liter bottles mixed and on the shelf in the darkroom. When we go to print, you just dump a bottle of part ‘A’ and part ‘B’ into a tray and away you go.

I really like this developer and my wife is using it also. So if I am asked what developer I am using, I say now days it is my variation of Donald Miller’s PPPD. My bottles are marked PPPD-JBH for my personal favorite formula.

Oh. . . almost forgot. . . I guess if you have read this far you are interested in the version of PPPD we are using.  Here is the formula that we have found to work very well with every paper we use, including Azo. Maybe it will work for you. . . maybe not. The only way to find out is to, as Fred Picker would say, “TRY IT!”

Please note that this developer contains chemicals that could be hazardous. Practice safe handling procedures when mixing chemicals. Wear gloves or use tongs when working with PPPD. In fact, it is a good idea to wear gloves when using any print or film developer.

Keep in mind this is a cold-tone developer. If you search the Internet you will find more information on other variations of the PPPD formula. Supposedly adding Pyrogallol and varying the amount of Potassium Bromide makes this a warm-tone developer, but I have not tried it, since I was not interested in warmer print tone.

I would like to personally thank Donald Miller, and all the others involved for laying the groundwork and publishing this formula, and its numerous variations, for Pyro Plus Paper Developer. Anyone wishing to experiment with PPPD, or seeking more information, try an Internet search for Pyro Plus Paper Developer.

Here you will find the original Pyro Plus Paper Developer formulated by Donald Miller;

http://unblinkingeye.com/Articles/PyroPlus/pyroplus.html

JB