Month: April 2010
*NEWS*: 2010 ANNUAL ULF FILM ORDERING WINDOW NOW OPEN
The ILFORD PHOTO annual ULF film ordering window for 2010 is now open.
This annual campaign allows ULF photographers the opportunity to order special sizes of ILFORD sheet film with no minimum order quantity.
Photographers have until Friday 11th June 2010 to place their orders with Authorised Dealers. The factory at Mobberley, Cheshire, England, expect to have the finished items with Dealers in the UK during August, and USA during September.
To download a full list of the items available in this campaign and for a list of Authorised Dealers Click here
ILFORD PHOTO ENSURES A FUTURE FOR BLACK AND WHITE

ILFORD PHOTO ENSURES A FUTURE FOR BLACK AND WHITE
12th March 2010
Iconic black and white brand underlines commitment to existing product range
9 March 2010: ILFORD PHOTO has issued a commitment to all black and white photography enthusiasts that despite other brands’ products becoming discontinued elsewhere in the industry, it will continue to support its existing range of mono photographic products for the foreseeable future.
Numerous black and white specialist products have been discontinued by other manufacturers in recent months and as the only dedicated black and white photographic brand, ILFORD PHOTO issued the following statement today reassuring customers that it has no plans for downsizing its product range.
Steven Brierley, Marketing Director for ILFORD PHOTO commented: “Over the course of our 130 year heritage, ILFORD PHOTO has become more than just another photographic company – many of our customers see us as the custodians of the future of black and white photography.
“Due to recent news from many parts of the industry that some black and white products are being discontinued, we have had a number of queries from anxious customers asking about the future of our own range. As such, we want to confirm that we have no plans to reduce our range in any way.”
ILFORD PHOTO, through its parent company HARMAN technology, has pioneered a number of campaigns in the past to demonstrate its commitment to the future of black and white analogue photography, including the ‘Defend the Darkroom’ programme and its calendar of photo education materclasses.
JB
WHY MODIFY THE CAMERA
Why on earth would someone take a new, perfectly good, working camera and make numerous modifications to the original design? Maybe more to the point, who would do such a thing? Well, I would! Especially if it makes the functionality of the device more easily fit my mode and way of working.
I have said this many times and I will repeat it here; I want the hardware involved in the process of making a photograph to be as transparent as possible. By transparent, I mean that the equipment should not be a distraction when out in the field making an image. I want the hardware to fit my way of working so well that I do not have to concentrate on working with it. I do not want to have to fumble with the camera and be distracted by some aspect of its operation that is not fluid in its use.
The way I make my cameras as transparent as possible is to modify them to whatever extent necessary to make them fit me. Yes, this requires I disassemble the camera and make modifications. I would rather do this now, in my shop, where I can work out these things so they do not hamper me later in the field.
What is all of this about? Well, I just acquired a new K.B. Canham 8×10 camera and in order to make it fit me better, I had to make a few modifications. If you are interested in seeing what I did, take a look at “NOTHING HERE REMAINS THE SAME; PERSONALIZING MY K.B. CANHAM 8X10” for a look at what I did.
Have fun reading this account, but remember kids. . . you may not want to try this at home!
JB Harlin
DON’T SCRATCH YOUR SINK
If you build you own darkroom sink or use a commercially available unit, you need something to protect the floor of the sink from scratches and abrasions. It has been a common practice to construct wooden Duck Boards for the bottom of the darkroom sink. These work well, they protect the sink, and allow water to drain, but wood is hard to waterproof and keep from warping.
I have heard of people using plastic lighting grids or plastic rods in the sink, but I have never tired them. I have constructed and used the usual wooden Duck Boards for years. Then I found something even better.
Dri-Dek® is sold as an anti-fatigue flooring for use in commercial work areas such as industrial manufacturing or commercial kitchens. It comes in 12” interlocking squares or rolls. This is a soft, flexible Vinyl that is perfect for the floor of a darkroom sink.
We installed Dri-Dek® in our sink two years ago and it has been an excellent investment. Water easily runs through and under the lattice work, it protects the sink floor, and it provides a soft, yet firm surface on which to work. Note, that the Vinyl does stain when exposed to some chemicals, like Amidol and Pyro, but it has remained flexible and I would not hesitate to recommend it to replace those old, warped wooden Duck Boards.
For more information about Dri-Dek® click HERE.
JB


